果冻影院

Race Is Everything鈥� explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas of the period lies the belief that outward appearance鈥攁nd especially skull shape, as studied in the pseudoscience of phrenology鈥攃an be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races.

The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race, and aesthetics; the purported 鈥淢editerranean race鈥�; the visual aspects of eugenics; and the racial politics of Emil Nolde.

For the book聽launch, the author, David Bindman, will respond to a panel discussion with聽Richard Taws (果冻影院 History of Art), Brigid von Preussen (Christ Church Oxford) and Catherine Hall (Emeritus Professor of History, 果冻影院). The discussion will be chaired by Tamar Garb (果冻影院 History of Art).