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SUBNATURE
Grant Museum of Zoology
21 May to 19 July 2014
Exhibition

SUBNATURE explores the use of fish bones and their imagery to evolve alternate visuals, looking at reproducing nature through sculpture and technology.

The fantastical works by emerging artist Lan Lan (¹û¶³Ó°Ôº Slade School of Fine Art), take the form of cosmic bodies through the manipulation of original fish bone sculptures, with some installations imagining a fictional future where energy plants rely on the phantom creatures.

Set amongst the Museum’s historic collections of skeletons, skulls and specimens in jars, the exhibition establishes a dialogue between natural history and its contemporary interventions – intertwining a Victorian collection with 21st Century digital techniques.

SUBNATURE begins with ALTED – Hydrozoa, a set ofÌý photographs of sea bass bone sculptures (Mod Fish) digitally altered into fantasised creations that appear to be both cosmic forms and marine animals.

Composing the figurative relationship between consumerist technology and sublime landscapes, The Lava Project @ Olympic Highway imagines a fictional solar energy plant that uses images of virtual creatures. Aftermath simulates a film set narrated as a spin-off from The Lava Project. It produces a panoramic view of a landscape in destruction by collaging macro-shots of partially melted polystyrene balls in nail polish.

ÌýHybrids, Us Don’t Matter and Mercury, Black explore the appropriation of materials from manufactured nature, while HoloStack X-Capture turns 3D scans of a bone sculpture into holographic skeletons. In .RAW thumbnail fragments of scans seek shelter at the Micrarium as they were decrypted by the scanning software which rewrites the anatomical structures in its own language.Ìý

SUBNATURE is the first public solo show by the Sculpture student Lan Lan. She has long been curious about nature and its conversation with modern technology, often making virtual sculptures and sublime environments from 2D and 3D scan imagery of materials.

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