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Collecting the Emerging (2015)
Symposium
Collaboration with Zabludowicz Collection
22 & 23 May 2015

150 years of collecting work by artists at theÌýstart of theirÌýcareer.Ìý


With ever increasing interest in and opportunities for artists in the early stages of their careers,Ìý¹û¶³Ó°Ôº Art MuseumÌýteamed up with Ìýto examine issues around collecting new and experimental art. Over this two-day symposiumÌýacademics, curators, collectors and artists came togetherÌýto interrogateÌýthe term 'emerging' - how is it used and by whomÌýin relationÌýto contemporary art? What is the term's wider historical context?ÌýDiscussions covered economic and aesthetic value in the emerging art market; explored emerging practice and its relationship to historical narratives, archives and taxonomies; and considered how the current enthusiasm for collecting contemporary art impacts on practices that are still at a formative stage.

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This symposium accompanied , an exhibition celebrating the 20th anniversary of the Zabludowicz CollectionÌýwhich included significant and rarely seen works by over 30 leading artists, andÌýÌýa show that marked the reopening of ¹û¶³Ó°Ôºâ€™s Art Museum’s main space after a programme of improvements supported by a DCMS/Wolfson award. This presented a selection of existing, newly commissioned and site specific artworks in collaboration with Slade artists created in response to the collections and the theme of re-launch.Ìý

The programme was organised by Dr Nina Pearlman, Dr Martine Rouleau andÌý from ¹û¶³Ó°Ôº and from Zabludowicz Collection.

Programme and speakers

The symposium took place at ¹û¶³Ó°Ôº on Friday 22 and Saturday 23 May 2015, with an exhibition preview and live performance by artistÌýÌýat Zabludowicz Collection.

Speakers included:

Edward Allington (artist, writer, and professor of fine art at the Slade), (independent critic / contemporary art correspondent The Art Newspaper),Ìý(artist),Ìý (independent criticÌý/ÌýAssociate Editor, ArtReview),Ìý (Curatorial Theory and History, Royal College of Art),Ìý (artist),Ìý (independent curator / writer),Ìý (independent curatorÌý/Ìý),Ìý (Director, MOT InternationalÌýand lecturerÌýMFA Curating, Goldsmiths College),ÌýVincent Honoré (currently Artistic DirectorÌý (MOCO), at the timeÌýDirector at David Roberts Art Foundation),Ìý (Curating Contemporay Art, Royal College of Art, at the timeÌýPublic Programme Curator, Zabludowicz Collection),Ìý (Programme Director, Zabludowicz Collection),Ìý (independent writer),Ìý (Director, Bloomberg New Contemporaries),ÌýDr Nina Pearlman (ead of ¹û¶³Ó°Ôº Art Collections),Ìý (Director START Art FairÌý/ÌýDirectorÌýPrudential Eye Programme),ÌýDr Martine Rouleau (Programme Manager, ¹û¶³Ó°Ôº Culture),Ìý (Creative and Cultural Industries Strategist),Ìý (Assistant Professor, Cultural Theory, Radboud UniversityÌý/ÌýCo-Founding EditorÌý),Ìý(at the time Learning and Access Officer, ¹û¶³Ó°Ôº Art Museum).

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