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Indicative Weekly Reading
1.听听 听Decentering Modernism in South Asia
2.听听 听Karkhana and Collaboration
3.听听 听Unmaking the 鈥淢iniature鈥�
4.听听 听Power and the Picturesque: British Artists in India
5.听听 听A(uto)nonymity: Company School Painting and Artistic Agency听
6.听听 听Kalighat Painting and the Art of the Bazaar听
7.听听 听Photography and the Colonial Gaze
8.听听 听Art/School/Infrastructure
9.听听 听Raja Ravi Varma, A National Artist?
10.听听 听鈥淪wadeshi鈥� and Aesthetic Discourse in South Asia听
11.听听 听The Bengal School听
12.听听 听The Bengal School and its Critics
13.听听 听Santiniketan, Sculpture, and the Subaltern
14.听听 听Feminism, Subalternity, and Retakes
15.听听 听Gendered Iconographies of the Nation
16.听听 听Midnight鈥檚 Children: The Progressives
17.听听 听The Crisis of Partition
18.听听 听1947/Now
19.听听 听Architecture, Nation-Building, and the Nehruvian Ideal
20.听听 听Bhuphen Khakhar: You Can鈥檛 Please All at Tate Modern
厂耻驳驳别蝉迟别诲听搁别补诲颈苍驳
Monica Juneja, 鈥淕lobal Art History and the 鈥楤urden of Representation,鈥欌�� Global Studies: Mapping Contemporary Art and Culture (2011): 274-297.
Partha Mitter, 鈥淒ecentering Modernism: Art History and Avant-Garden Art from the Periphery,鈥� The Art Bulletin, Vol. 90, No. 4 (Dec. 2008): 531-574.
Tapati Guha-Thakurta, 鈥淭he Period of Colonialism and Nationalism, c. 1757-1947,鈥� in Art of India: Prehistory to the Present, Rick Asher, ed. (2003), pp. 109-128.
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